Day for Night
Say what you
will about Michael “Sonny” Corinthos – he’s a killer, he’s a gangster. He’s a
womanizer and an opportunist. He’s smart and he’s canny and he’s manipulative;
he’s vulnerable and lost and groping for light. Love him or loathe him, there
is one thing that no one can argue – that he loves his children with ferocity
and passion. To him, they are the Omega
to his Alpha, the mortar in the cracks of his morality. To him, they are the good things he will
leave behind – proof of not only his legacy, but of whatever decency he might
have. Sometimes the sins of the father are not visited upon his sons.
Sonny is
feeling back in control and confident, knowing what he knows about Julian
Jerome and Derek Wells. What he doesn’t know is the fox is in the henhouse, and
when D.A. Lazaro drops by for a visit to discuss the matter, neither is aware
their conversation is being overheard.
Morgan, having proven his quality to his father’s enemy, is tasked with
new responsibility when he meets with Julian – a meeting that is witnessed and
misinterpreted by Franco. Later, Olivia
sees Morgan give something to Scott Baldwin and it isn’t until it's almost too late that, to
her horror, she connects the dots – presumably without a single jackal in
sight. Sonny is devastated, and even
though Olivia once again tries to reason with him, he is determined to make an
end of things.
Sugar We’re Going Down
Misinterpretation
seems to be the breakfast of champions this week; this time it’s Carly, when
she interrupts Franco and Diane and misconstrues their interactions. Franco
confides in Carly about seeing Derek and Morgan in suspicious circumstances. Later,
Max sees Diane with the increasingly neurotic artist, and he misinterprets – completely oblivious to the fact that the
tumor-tossing attorney still carries a torch for him. Diane, meanwhile, is preoccupied with the
very real worry that the actual artist whose work Franco has absconded might
find out what he’s done. And of course, the real artist shows up, bright and early
for the gallery show.
Scotty,
riding a wave of confidence after putting to effective use what Morgan gave
him, is more expansive than usual. He and Lucy are cooking up plans, just like
the old days, only this time it’s actually stuff that could benefit people. But
someone else has other plans, and it all comes to a rolling, Valdez-worthy
crash and spill at the gallery opening. Franco’s eggshell walk crunches beneath
his Manolos when he is asked to explain a particular piece of work. He is
stymied to the point of blithering when Heather steps in with a confession that
results in utter chaos, mayhem, and above-the-fold headlines.
I’m Yours
Back from New
York City, Sam and Silas are fortified with new information they intend to use
carefully. Silas goes to Kiki, giving
her the background they learned about Ava, and Silas tells his daughter that
Mom may very well still be in the thick of nefarious activity. Sam, meanwhile, goes to pay a visit to Auntie
Ava, and it’s a fair bet to say that after the encounter, Ava’s going to need a lot of bourbon.
Also Next Week: Carly reaches out to Franco, while Michael and
Kiki consider Morgan’s reasons for staying with Ava. Scott worries for his future, and Sonny
denies accusations hurled by Lazaro.
Songs:
Cat’s In the Cradle: Harry Chapin, Verities and Balderdash
Sugar We’re Going Down: Fall Out Boy, Under the Cork Tree
I’m Yours: Jason Mraz, We Sing. We Dance. We Steal Things.
You can find information, lyrics, and artist bios on the song titles in this preview at
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All General Hospital previews written and posted on this site are entirely from source material given to me by ABC PR.
I do not source any material published on my site from message boards or other sites. ABC PR is aware of my previews and content. Thanks for reading. :)
1 comment:
Thank you so much for posting. I have been waiting impatiently for your update and you didn't disappoint!
Tired of Carly's "misinterpretations" already. Can't wait for the mayhem of the gallery and I can't help but wonder what Sam is going to say to Auntie Ava.
And what the hell is this threat against Sam? I can't think of anything (I mean, her past is FULL of enemies).
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